Sunday, February 14, 2010
Which Art
Title:
Which Art
Author:
Ranger
Characters:
The Rev. Andrew Farthingdale and Gideon West
Warnings:
Well I DID warn you....Happy Easter everyone!
"I
never stand on this bit without feeling I ought to be doing some kind of
overture or dance." Andrew commented, pausing on the steps of the chancel
with a stray carnation and jiving on the spot. "Hooray for Hollywood… da
da da da da da-"
Mrs
Dunwoodie, behind an armful of carnations, gave him a look of pure horror.
"VICAR."
"It's
so stagelike, the grand entrance through the screen." Andrew protested,
striking a Judy Garland pose. "Ta da! It's so like – hey kids, let's do
the show right here! We've even got room for the orchestra. I LOVE this
screen-"
"That
screen," Mrs Dunwoodie began quellingly, "Has stood there, UNTOUCHED
and respected, since 1647. It's over three HUNDRED years old-"
"Happy
birthday to you…" someone began to sing quietly and subversively from the
lady chapel. Andrew stifled a laugh and looked around. It was the youngest of
the women who'd tailed Mrs Dunwoodie into the church this morning to clean and
to do the flowers, a small red head in a full length black skirt, scarlet
blouse and ferociously clashing green shawl with pit boots and enormous
glittering gold earrings. She caught Andrew's eye and rolled hers, giving
Andrew a brief and fleeting grin before she went back to arranging her flowers with
grim determination. Andrew jumped the last step down from the chancel and wandered
across to the first of the enormous vases with an unhappy peer at its contents.
"They're
very- pink-"
"NICE
flowers carnations are." Mrs Dunwoodie said sternly, picking up another
armful. "We've ALWAYS had carnations in St Michael's church, the last
vicar always said to me, Mrs Dunwoodie he said, no one EVER arranges carnations
like you do."
"I'm
sure he did. And I'm sure no one does." Andrew said soberly with perfect
truth. There was another smothered laugh, and then a cough from the lady chapel.
Andrew waved his hands vaguely around the pink carnations, trying to frame them
and his words.
"Just
that- well they're not even that interesting a pink, are they? I mean this is
Easter! One of the most dramatic, fantastic times of the whole year, and here
we are, in the church, right at the HEART of the whole drama. This IS the party
101! And it's not easy to party with slightly pink carnations. They're not
really going to uplift anyone, or sock the message of Easter over- it might be
nice to try something a little more-"
"Flamboyant."
Mrs Dunwoodie said repressively. Andrew winced.
"Well.
It might be nice to have something funereal- all whites, stark, you know- big
lillies, magnolia flowers, something that'll really have that feeling to it for
Good Friday and Saturday when people want to come in here and think - and then
save the real spring colours for Sunday, the major celebration. All the spring
flowers are the brightest, the yellows and reds and blues- this is an amazing time
of year, we need that in HERE, the same as it is out in the hedges at the moment!"
Several
of the women quietly arranging the pink carnations were looking up and looking
distinctly interested. Andrew gave them a hopeful smile.
"How
about if a couple of us nip over in my car now to Towcester and raid the market
flower stall, see what we can-"
"It's
a wicked waste of these lovely carnations." Mrs Dunwoodie said grimly.
"Shameful to my mind. And there'll be no flowers in the church Good Friday
nor Saturday either, we'll put them all in the vestry until Easter Sunday. No
flowers in church on those days is tradition. People need tradition."
"And
what about a haven, where people can come out of their daily lives for a time
and have somewhere to think and feel and reflect?" Andrew said undaunted.
"The church should welcome people like any home does-"
"The
truly faithful," Mrs Dunwoodie said, drawing herself up, "Don't need
any more than the church wood and stone, and their knees. I don't hold with all
this happy clappy approach, this is a church, not the window of Marks and
Sparks Vicar! Now if you don't mind, my ladies and I have work to do in
here."
Behind
Mrs Dunwoodie's quivering hat, Andrew caught sight of the red head, quietly
throttling a carnation. Mrs Dunwoodie's look of outrage when he laughed drew
from him an apology and a swift retreat out of the church and across the church
yard to the rectory.
Once
in there he slumped against the door and laughed in peace.
"What's
tickled you?" Gideon inquired from his study. Andrew straightened up and
went down the hallway, leaning against the doorpost. Gideon, in a blue frock
coat, buckskin trousers and riding boots, was reading in the windowseat, his
back against the wall and one elbow propped on his knee. He didn't look round.
"Mrs
Dunwoodie in the church." Andrew said cheerfully. "Doing her Death By
Flowers bit again. I'm going to get interesting flowers into there if it kills
me."
"I
wouldn't be at all surprised if that woman doesn't have the power of turning
people to salt." Gideon commented, turning a page. "Be careful."
"I
don't know who's annoying the other one more, her or me. Have you met a little
red headed woman, interesting dress sense, looks like she might have a sense of
humour?"
"Not
as yet."
"Hmm."
Andrew straightened up and clicked his fingers to the dog lying on the hearthrug.
"Come on Pilate! I'm going into Towcester on a mission for interesting
flowers. Are you coming?"
"I'm
researching." Gideon's chocolate brown voice drew the word out into all
its syllables. He glanced up and his moustache twitched. "I've got a
client coming at four, that ought to afford the women's guild some minor
entertainment."
"Who?"
Andrew demanded, interest attracted. "Actors? Dancers? Julian!"
Gideon
gave him a mild nod as Andrew twirled on the spot with delight.
"Julian.
He'll probably stay for dinner." He added, louder as Andrew vanished up
the hallway.
"I'll
see if I can find anything at ALL interesting for dinner while I'm out!"
Andrew shouted back happily. "Although no one around here ever seems to
have heard of crostini or asparagus- he'll think we've gone completely to the
dogs. Roughing it in the country. I won't be long! Be good!"
Gideon
waved an absent hand and a minute later heard the backfiring outside as Andrew
started up his beetle.
*************************************************
Mrs
Ackwell, leaving the post office late that afternoon, stopped dead at the sight
of what was going on in the rectory garden. She actually stood and watched for
several minutes before she remembered herself and walked- fairly slowly- trying
not to too obviously look over the hedge. Jo Dickinson, the infant school
teacher, was locking the school gates over the road and Mrs Ackwell went over
to her, nodding in the direction of the spectacle.
"Have
you SEEN……"
"Yes."
Jo said frankly. "I was trying to mark some maths books but I kept
stopping to watch. I thought in the end I needed to go home if I was going to
get anything done. The view around here really is improving, it's getting far
more interesting looking out of the staffroom window than it used to be."
Mrs
Ackwell gave another awed look towards the garden. "What DOES that man do
for a living?!"
"No
one knows." Mr Ackwell said later, folding his paper to read the football
scores. "They're taking bets on it at the Frog and Bucket. So far he's
been seen out there with a sword, with soldiers and guns, and with those three
men with the bows and arrows."
Mrs
Ackwell put his dinner down in front of him and took her own seat in the
kitchen, peering as much as she could out of the window over his shoulder.
"Hasn't
he told you?"
"He's
talked a bit to me about what he's doing." Mr Ackwell said peaceably,
putting his paper down and digging into his egg and chips. "Showed me some
of his guns. Beautiful things they are, he's got them lined up and hung on the
wall in his study. The vicar says they're a bugger to dust."
"What
are they betting on then?"
"All
sorts. A soldier. Some just saying he's flat out mad with those costumes he
wears."
"And
what do you think he does?"
"I
think he's probably some kind of museum expert." Mr Ackwell said with his
mouth full. "Knows all there is to know about those weapons and their
periods, all the military history. Interesting man."
"But
how is what he's doing out there NOW military?" his wife demanded. Mr Ackwell
twisted around to have a look out of the window. Then shrugged and turned back.
"He
looks like he's enjoying himself. Got any ketchup around my girl?"
*********************************
The
CD player was belting out Rachmaninov's 'Polka Italienne' in the garden and the
large man in leggings and a baggy t shirt was spinning rapidly over the lawn,
closely followed by Gideon who was frowning in concentration. And who periodically
himself interrupted by a spin or movement of his own, emphasising the arms and
the brusqueness of the movement.
"That's
STILL not strong enough." He said as the pink VW beetle screeched to a
halt on the kerb, "If you're wearing the uniform you have to accentuate
the military style of the time, and the Red army were known for being-"
"Julian!"
Andrew erupted through the gate, Pontius Pilate rushing after him, and threw
himself into Julian's opened arms.
"L'italienne
di polka! Mio caro Julian, lei guarda neanche l'italiano, lei guarda il tedesco
e lei ha fatto sempre."
"Ciao
marmocchio!" Julian retorted, laughing. "If I look German you're
chattering the wrong language."
"Ist
dies besser? It's NICE to see you!"
"You're
still a show off." Julian put him down and kissed his cheek. "I've
never seen you in your get up before- look at you, vicar on duty!"
Andrew
spread his hands, flashing the jade green silk shirt and dog collar under the
black jacket and black, well cut jeans. "I know, I look appallingly
serious, it's horribly deceptive. Are you staying to dinner? How nearly are you
done?"
"As
soon as we get this style-" Julian broke off, looking in surprise at the
long nose over the top of the hedge. Gideon inclined his head politely.
"Mrs
Dunwoodie. Good afternoon."
"That's
Much Magden's answer to Miss Marple." Andrew said in an exaggerated
whisper as the black hat reluctantly bobbed away out of sight. "She's
working on solving the mystery of us."
"How
is she doing?" Julian said sceptically.
"Not
good, not good……" Andrew rolled his eyes and jived on the spot, knees and
hips twisting. "So! Da da da taa- are you coming in for a drink? Are you
finished? Can I help?"
"Aggie
get away from that window, do." Mr Ackwell pleaded half an hour later. His
wife didn't move, still clutching the duster and windolene that was her excuse
for peering over the net curtains.
"They're
waltzing you know. They've got a bottle of wine in the garden and they've still
got that music playing-"
"Well
it's decent music I suppose." Mr Ackwell said philosophically.
"Fred!"
"Oh
allright-" Mr Ackwell heaved himself out of his chair. Across the street
and over the rectory hedge he could make up the big man in the leggings
sprawled on the grass with a glass of wine in his hand, conducting gently while
the vicar and his partner waltzed around the rose bed. Mr Ackwell shook his
head.
"I
don't know what you're worrying about. He dances very well, the vicar."
*******************************
"So
let's get this straight." Julian said, leaning deeper into the armchair in
Gideon's study. Andrew had curled up in the window seat, leaving Gideon the
Admiral's chair behind the desk where he was slowly smoking a cigar and blowing
the smoke towards the ceiling, the ankle of one immaculate riding boot on his
knee.
"You've
been here two weeks. The parish council have already told you off. This woman
is harassing you in your own church. They've called you both all kinds of
names, and you're being treated like a twenty four hour zoological exhibition.
And you still think you've made the right move?"
"It's
very restful." Gideon said, blowing a smoke ring. "The country."
"And
you're teaching in the garden." Julian pointed out. "What are you
going to do when the weather's bad?"
"There
is a perfectly good dining room which he can use as a studio, he teaches in the
garden because he likes teaching in the garden, that's beside the point."
Andrew said with his chin on his arms.
"So
what is the point?" Julian raised an eyebrow at them both. "This is
SO much better than London? We miss you two like hell as a matter of fact. I'd
think the parish probably misses you still more Drew, they're not going to find
anyone else with your energy or experience and the people in that parish really
needed you."
"And
that need is consistent and who ever is there can meet it." Andrew said
simply. "There's more to this kind of parish than just meeting the
incoming need. Like being a stable part of an entire community and having a
connection with the parts of it who don't know what they need at all. And
having time for people, instead of groups with registered need and trying to
snatch half an hour here and there for individuals. And building a relationship
with the community, being part of it over time, and involved in all aspects of
it. It's the difference between working the accident and emergency department
in a hospital, or being a GP. You're dealing with less crisis, less faceless
bodies and more people. With a lot more time for protective intervention and
support rather than constantly picking up the pieces after crisis has
hit."
"You
were saying all this in London two months ago." Julian said dryly.
"How are you going to protectively intervene with this Dunwoodie
character?"
Andrew
didn't lift his chin from his arms but gave him a quiet and glinting smile.
"Ooh
I'll think of something. Leave it with me."
"Oh
God." Julian said involuntarily. Gideon choked slightly on his cigar.
*********************************************
The
infants class at Much Magden primary school were painting when Andrew arrived
on Monday afternoon, Pontius Pilate tucked under his arm. Jo Dickinson
straightened up from the knee high table where she was demonstrating the
intricacies of string painting and nodded to him.
"Afternoon
Vicar. I won't shake hands."
Andrew
grinned, eyeing the varying shades of yellow, red and green that covered the
tables, the floor and the children in generous amounts.
"Oh
good. This looks exciting."
"It's
for our Easter cards." Jo explained. "We're just starting to clean up
now, and then I'll sit the children down for you. Have you met Daisy
Richards?"
Andrew
followed the gesture and found himself face to face with the red headed woman
from the church. Who gave him a fierce nod over slipping glasses and returned
to the painting she was working on with the children. Stepping carefully around
puddles of paint and clutching Pilate who was wiggling with desire to get down
and investigate, Andrew went to peer over their shoulders at a large and
brightly coloured mural of a hillside, covered in spring flowers which the
children were busily painting on under instruction.
"It's
the cavalry hill Vicar." One of the children informed him, "It's
going to have three crosses on the top, all out of different kinds of
twigs."
"Miss
Richards is an artist." Jo explained. "She's kind enough to come in
and work with us some afternoons on special projects."
She
herded children away to wash their hands. Daisy Richards got up, wiping her own
hands on a battered apron.
"Children
don't have any silly ideas about art. They see and they do and there's no
mucking about."
"I
love the colours." Andrew said, still looking at the hillside. "Where
is this going up?"
"In
the school hall." Daisy said, peering at it critically. "We'll frame
it too. Pressed flowers and leaves, the idea of spring. Very pagan actually,
but most of the strongest roots of Christian custom are."
"Ooh
certainly." Andrew said thoughtfully. "You know, I'd really like to
mount this in the church if you and Jo would consider it. It's a beautiful
piece of work, it ought to be seen by the whole village."
Daisy
shot him a considering look. "I'll talk to Jo about it. What are you in
for?"
Andrew
grinned. "Talking to the children about the meanings of Easter. I've got
rather a lot of flowers in the car, I thought I'd ask them to help me do some
white and some celebratory flower arrangements for the church. I don't suppose
you feel like staying for a while and adding your artistic talent?"
He
was delighted when Daisy's rather fierce face broke into an equally fierce and
answering grin.
"I'd
be delighted Vicar."
The
last hour of the school day was spent with the five to seven year olds, three
adults, one wildly excited spaniel and a pile of assorted flowers which covered
the small tables. Daisy was certainly an artist. Several huge vases were
rapidly filled, some with the carefully sorted out white flowers which stood
out, huge and stark amongst the green, and some overspilling with tulips and
daffodils and roses of all colours. Many of the mothers waiting in the
playground at a quarter past three joined the procession of children walking
down the road to the church with their hands filled with small bunches while
the adults carried the vases, and for the next twenty minutes the church
swarmed with people while the flowers were arranged, rearranged, discussed and
positioned. The lady chapel was given the white flowers and Andrew unlocked the
altar cloths, the children debating and then choosing a dark blue one for the
lady chapel and a vibrant scarlet and white for the main altar before they
placed their flowers there.
"THIS,"
Andrew said to Daisy when the last mother and child left and Jo went back to
school to tidy up, "Is what I call a properly decorated church. What I'd
like to do now is put the children's mural up THERE on that wall, don't you
think it would look rather groovy there? And find a couple of other pieces of
art work to put up there with it, some really stunning professional pieces. Da
da da da ta -" he danced on the spot for a moment, eyes fixed on the spot
as he considered. "I think about five or six pieces in total that can be
rotated, all for different seasons. I don't suppose you work to commission Miss
Richards?"
"I'd
be happy to give them free gratis if there's something you want." Daisy
said dryly. "Although I don't know about 'really stunning'. I do a lot of
the big pieces for fun, most of what I sell is costumes."
"Costumes?"
Andrew stopped dancing and stared at her with growing interest. "You make
costumes? Indeed. Really. Well well well. Miss Richards do you like scones? Do
come over to the rectory and have a scone. There's someone you really need to
meet."
The
rectory was gleaming. Daisy, who had been into it a few times when it was
occupied by the previous vicar, had no memory of the Victorian tiles ever
shining so brightly, and the previous vicar certainly hadn't kept fresh flowers
in the hall or bright rugs and cushions in the kitchen. Andrew dived into the
fridge and began to set the table, humming to himself as he did so.
"Do
sit down. Please do sit down, take a seat, do you like honey? It's amazing
stuff, honey. And jam, since Gideon does actually make his own jam. You'd be
staggered what he makes it out of too, it's not stuff that you'd think at all
would turn into jam- GAY!"
"What?"
someone shouted back from the depths of the house.
"Come
and have a scone!" Andrew yelled back. "He actually makes the scones
too," he added to Daisy, "he says it's in his contract. Licensed to
bottle strawberries. He actually bottles virtually everything, it's a
historical impulse which I haven't yet QUITE got to the bottom of- hello
darling."
Gideon
impassively accepted the butter dish and a kiss, surveying the woman sat at the
kitchen table. She in return stared frankly at his outfit, her eyes moving
slowly from head to toe.
"Regency."
She said eventually. "A Schultz design, circa 1810. I LIKE the boots but
the superfine cloth is not a good reproduction at all."
Gideon's
eyebrows rose slowly. He placed the butter dish down on the table and offered a
hand, bowing slightly as Daisy accepted it.
"Gideon
West. I'm delighted to make your acquaintance, Miss-"
"THIS
is Daisy Richards." Andrew said, gesturing with the butter knife and the
teapot. "Daisy, this is my whatever you'd like to call him, I'd start with
husband and work on down the line until you find a term you're happy with.
Daisy is an artist who specialises in costume, I thought we'd all have tea. It
seemed a very civilized thing to do."
"Then
why don't we have it in the drawing room?" Gideon said, offering Daisy his
arm. "Allow me, Miss Richards."
"He
won't bite," Andrew promised, switching the kettle on, "Honestly. He
comes over all gothic when he finds someone he really likes."
*******************************************
"Vicar,
I really don't think……."
Mr
Agnew, chairman of the Parish Council and a man who lived for a quiet and
orderly life, trailed off, took off his glasses and polished them. Mrs
Dunwoodie, who had dragged him, panting with affront, to inspect the latest
church outrage, stood behind him and heaved with indignation.
"It's
modern art." Andrew said firmly. "This is work done by the children
of this parish and I think it's spectacular, a really wonderful and thematic
piece for this time of year."
"It's
very nice for children, yes." Mr Agnew replaced his glasses and blinked
again. "But let's face it Vicar, it's a short step from this kind of
blobby affair to cut-outs of bunnies dropping glitter and pasta everywhere, and
that really isn't appropriate in a church. The village hall maybe, where the
mothers can admire it, or better still
at
the school. That's the place for it. Not in the church. And this
piece…….."
"That's
the preliminary sketch." Andrew pointed out. "Miss Richards was kind
enough to offer this one to St Michael's as a gift, which from a contemporary
local artist makes it invaluable in itself. And I think the design is
fantastic, a lovely image to have within the church quite aside from it's
technical merits."
Mr
Agnew looked again at the spiral of doves whirling towards the front of the
picture out of a glistening blue sky.
"That's
as may be Vicar, but not this church. This might have been allright in London
where you came from, but we're old fashioned people here. We like our church
the way it is, quiet and plain and focused on worship, not full of distractions
and tourist attractions. You can put forward art for the village hall if you'd
like, the Van Goghs in there are getting a bit tired, but here is out of the
question Vicar, I'm sorry."
"I
do actually," Andrew said lightly, "Have the final say in what goes
up in here Mr Agnew. This is actually my church-"
"According
to the Parish Council charter Vicar, we have the right to veto anything we
think is not in the best interest of the parish." Mr Agnew said
apologetically. "And I'm afraid I think Mrs Dunwoodie has a point. We can
discuss it at the next parish meeting if you like, I'll put it on the agenda.
I'm prepared to compromise on the flowers- it looks a bit garish in here, but I
can see it's nice for the children to be involved before a big family service
like Easter Sunday. But the art work, no. I'm sorry."
Andrew
didn't comment further. Just gave Mr Agnew a long and very thoughtful look. It
was a look Mr Agnew was to come to know well, but had not yet come to dread.
All he did on this evening was nod civilly and head on down the steps,
intending to go home to tea and Gardener's World on telly.
"Good
evening Vicar."
**********************************
"Andrew."
Gideon
laid his book face down on the desk and sat back in his chair, waiting until
his lover paused in the doorway of the study.
"Yes?"
Gideon
beckoned. Andrew stopped leaning on the door post and went to him, letting
Gideon draw him down onto his knee and lying heavily back against him. Gideon
lipped at bright fair hair over one temple and slid his lips down to the
nearest ear, nipping gently.
"Is
there any small thing you would like to tell me?"
Andrew
shook his head.
"Like
where you went this afternoon?" Gideon went on, just as quietly. Andrew
shrugged, nestling his ear back closer for further attention.
"Just
into Towcester. I had some letters to post, those bills."
"I
see."
"I
saw Daisy this morning. She has that sketch of the coat she was telling you
about. She wants you to see it before she orders the material, and to talk to
you about buttons and proper authenticity."
"Most
interesting woman." Gideon murmured. "I think I'll ask her to join us
on Friday, and meet the costumes mistress, although I have doubts about whether
the budget would spread to the authenticity Daisy would no doubt insist
on."
Andrew
smiled faintly. Daisy had spent two evenings with them this week, she and
Gideon deep in discussion involving piles of Gideon's books and endless
sketches on Daisy's part. Gideon nipped again, a little more firmly on the ear
near his teeth.
"I
would appreciate a note, or something similar when you go out. We have
discussed this a few times before."
"I'm
sorry." Andrew said penitently. "I was in a hurry and I didn't think
to stop in first and say."
"Very
well." Gideon released him from his lap and watched him sashay away in a
two step, humming to himself. "Where are you off to now?"
"Just
a few things to do." Andrew executed a pirouette in the doorway and blew
him a kiss. "I'll see you at lunchtime."
Gideon
listened until he heard Andrew whistle to the dog and the front door slam. And
then got up, straightened his cravat in the mirror and selected a gold topped
walking stick from the stand in the hall before he stepped outside and locked
the rectory door behind him.
At
the end of the lane, up a ladder in the orchard field, he found Mr Ackwell, who
paused in his clipping and nodded. "Morning Mr West."
"Mr
Ackwell." Gideon leaned both hands on the walking stick. "Beautiful
day. Would you like to tell me the state of play regarding the church
artwork?"
Mr
Ackwell leaned against the ladder, looking awkward. "Well- it's all a bit
difficult Mr West. I mean not wanting to be disloyal to anyone, but it's all a
bit complicated."
Gideon
gave him a wry smile, not moving. "It's allright Mr Ackwell. You'll find I
am the very soul of discretion."
"…….so
the charter does mean the Council can vote on it." Mr Ackwell finished.
He'd unlocked the church and Gideon was admiring the children's mural and the
design drawings in silence. "And Mrs Dickinson is all for it, and so is
the Vicar, and Mr Holland didn't mind either. And Mrs Dunwoodie and Mr Jones
and Mr Agnew are dead set against it. Which leaves me. And I don't really know
how to come down on either side without starting world war three in the vestry
if you know what I mean."
"Yes,
it's a difficult situation." Gideon said delicately.
"So
then Mr Agnew gave the Vicar until nine am this morning to take these pictures
down," Mr Ackwell went on, scratching his head. "And the Vicar didn't
say anything much, but obviously they're still here. So I don't know now
whether Mr Agnew'll try using the Parish Council to force the issue or whether
he'll try touching the pictures himself- I'm not actually sure the charter
gives right to touch matters in the church if it's against the Vicar's will. I
think then it'll be a case for petitioning the Bishop."
"Oh
I think we're still very much at the negotiation stage." Gideon said
pensively. "Communication hasn't by any means broken down yet."
"Morning
Fred." Daisy Richards, carrying a large screen with her, came in through
the open church door and advanced down the aisle towards them. The doves,
magnified on a four foot square canvas, reflected magnificently out of the
sparkling background.
"Gideon.
Fred, the Vicar asked me to put this in the church and ask you to hang it when
you had a moment. He said you were the best person to ask."
Mr
Ackwell gave Gideon a helpless look. Gideon swung his walking stick back and
rested it on his shoulder, giving him a faint smile.
"Thankyou
Mr Ackwell. Magnificent picture Daisy. Good morning."
The
walk back through the village gave him time for thought and reflection. Which
was brought up short as he arrived at the rectory, and opened the rickety gate.
Andrew, sitting cross legged on the doorstep, was putting the final touches to
the hot pink paint now covering the front door. And in the distance, scuttling
up the highstreet towards Mr Agnew's house like an infuriated wasp, was Mrs
Dunwoodie.
*************************************
"What
possessed you?" Gideon asked sternly, shutting the door to his study.
Andrew, standing mutinously on the rug before the desk, glared straight back.
"It's
OUR home. It's not a taboo colour, it's not breaking ANY kind of creed or
law-"
"This
house is church property Andrew, we do not have the right to make ANY
alterations to it without permission." Gideon leaned on his desk.
"QUITE apart from which, the act and the colour in themselves are an open
challenge. Aren't they? Is this at all likely to make the parish council more
sympathetic towards you?"
"They're
all currently stuck in the dark ages anyway." Andrew argued. "There's
nothing wrong with shock tactics, they need encouraging to see new perspectives
and realise that the nineteenth century DID actually happen-"
"And
that line of thought in itself should tell you that you are tired of
negotiating by the rules and you are acting for yourself and out of
impulse." Gideon said sternly. "At which point you need to stop and
back away, NOT take action. You're a trained negotiator Andrew
Farthingdale-"
"This
isn't someone on a roof threatening to jump, or two rival factions threatening
warfar, this is about two piddling little pictures in MY church!" Andrew
said hotly. "It's not worth the ENERGY of negotiating, this is pointless
thwarting on principle of anything that looks remotely like change! And they
don't discuss, they talk down to me like I'm some kind of idiot child with no
kind of professional skills at all- I'm sorry Vicar but we really can't let you
do anything that might make people THINK, or FEEL, or at ALL be-"
Gideon
rose from his desk and pointed silently at the corner. Andrew gazed at him for
a moment, outrage still on his face, then turned on his heel and walked over to
it, standing rigidly, arms by his sides. Gideon took a seat behind his desk,
watching his lover's rigid shoulders. It took only ten minutes. Andrew was
capable of great passion but his temper never burned very hotly or for very
long. His fluent body language changed rapidly, his tension became the
fidgeting and restlessness that Gideon read with long practise as conflict,
then settled down into the quietness of regret. When Gideon called him he
turned immediately, somewhere between apologetic and exasperated with himself.
"I'm
sorry. It was that challenge to take those pictures down this morning, that was
just a step too far. I know that's no excuse for hitting back, I ought to be
patient with them, we knew this WAS going to be a very difficult parish and I
needed to take things slowly and expect little things to be huge, enormous,
HORRENDOUS deals, I just get impatient-"
"Which
is natural." Gideon interrupted quietly. "However you know well what
you do when you have a decision to make."
"Tell
you about it and use you as a sounding board, I know." Andrew said
apologetically. "I should have done."
"And
the fact that you didn't want to is a good indicator that you wanted your own
way unhindered." Gideon said sternly. "Trousers young man."
Andrew
didn't move for a minute as Gideon went past him, opened the Grandfather clock
case and withdrew a yellowed and serviceable looking cane. Then sighed and
unbuttoned his jeans. Gideon placed a chair on the hearthrug and watched him
double over it, flexing the cane in his hands.
"I
further gave you every opportunity this morning to speak to me about this
Andrew. If you had taken that opportunity we would not be in this position now.
We do not withhold information."
"No
sir." Andrew shut his eyes as the cane rested across the seat of his satin
boxers.
"When
we're done here, the best thing you could do to salvage this situation is to
ring the bishop yourself and invite him over immediately, to review the
situation."
"Yes
sir."
"Hands
flat, feet apart please. Don't move."
**************************************************
The
Bishop walked slowly between the two pictures, his hands behind his back,
looking with real interest while the Parish Council hovered behind him.
"The
frame really is most unusual." He said at length, smiling at Daisy.
"Pressed flowers. Most unusual, and such a lovely tie in with the theme.
And so nice to have such an organised piece of children's work, it really looks
quite professional. And this piece, the doves- simply beautiful. A lovely,
peaceful image."
"We
have no argument at all with the quality of the work." Mr Agnew pointed
out. "Merely the placing of them."
"Which
is what?" The Bishop said with interest. "Distraction? Yes, a very
important issue. But placed here at the back and the side- really they're in no
way a distraction to the service and they do add a great deal to the beauty of
the interior. Which is important, where is there a better place for art and
beauty after all? Particularly the efforts of the church's own people. And they
both are rather lovely meditation themes and thought provokers, very in keeping
with this season. You know the flowers in here are gorgeous Andrew, you must
congratulate your ladies, they've done a really excellent job this year."
"Mrs
Dunwoodie heads the flower arranging group, with Miss Richards." Andrew
said warmly, "Along with the cleaning. You can see the church is
immaculately kept, I haven't found a speck of dust yet."
Mrs
Dunwoodie bridled, not quite sure whether she ought to be releasing the
cheshire cat smile she was currently flashing at the Bishop. The Bishop
returned the smile just as warmly.
"A
truly excellent job Mrs Dunwoodie. Well thankyou for showing me these two
really wonderful additions to the church Mr Agnew. I thoroughly appreciate your
care in selecting appropriate decoration for this wonderful building and for
your parish, and I think that the Vicar has chosen most wisely. It's been a
real pleasure to visit and to see them, I hope maybe in time I can see one or
two more? And Miss Richards, I do hope you'll consider making your beautiful
art work more widely available in the diocese?"
"Does
that mean the pictures are staying?" Mrs Dunwoodie demanded, smile rapidly
fading. Mr Ackwell put a gentle hand on her arm.
"Now
Bella-"
"They're
a disgrace to the church and so I've said! Daisy Richards and her strange
colours and her stranger boots hanging PICTURES in the church and calling that
ART-"
"Ladies-"
The Bishop began soothingly. And jumped, as Daisy snatched a handful of daffodils
from the vase beside her and smashed them over Mrs Dunwoodie's hat.
"You
wouldn't know art if it bit you, you interfering old bat!"
Mrs
Dunwoodie screamed like a stood on cat. Andrew leapt in between them and Gideon
confiscated the daffodils, wrapping an arm around Daisy and steering her
rapidly down the aisle, still hissing and spitting.
"Oh!"
Mrs Dunwoodie screeched, still dripping water and daffodils. "Oh!"
Andrew,
aghast and trying not to laugh, brushed the daffodils from her hat and then seeing
the tears start, bent and put an arm around her shoulders, hugging her gently.
"Allright.
Allright love. Come and sit down. Jo, be a star and put the kettle on in the
vestry?"
Mrs
Dunwoodie, finding her head against a sympathetic masculine shoulder, even if
it was the vicar's, began to cry in earnest. The Bishop sat down on her other
side and handed her a handkerchief, patting her hand gently.
"There
there my dear, the artistic temperament- very unpredictable, the price of
genius you know. We must learn to be patient…. Well Andrew. I said that St
Michael's was just the challenge- er parish- you were looking for."
"She's
an old boot and she deserved it." Daisy was still saying as the Bishop and
Andrew and Mr Ackwell reached the rectory garden. Her arm was tucked through
Gideon's and she was walking calmly enough around the rose beds, but her look
was still frankly challenging as though she'd break another daffodil as soon as
look at it.
"That
will do." Gideon said quellingly. "It was hardly ladylike and hardly
suitable for a church, most embarrassing for all concerned."
"Hag."
Daisy commented, mildly subdued.
Gideon
gave her a look Andrew recognised, which made him stifle a smile. Six parallel
lines under his trousers, still sore, ensured very well that no such comments
ever escaped his lips when Gideon looked at him like that, but Daisy didn't
notice.
"What
a novel colour for the front door!" The Bishop exclaimed, walking up the
front path.
"Ah."
Mr Ackwell said, rubbing his head. "Yes, well-"
"Andrew
you've revolutionised the place already, it looks a hundred times more
welcoming and more cheerful." The Bishop said happily. "Is this one
of the children's drawings you have here?"
Andrew
explained the hello bee.
"Can
we offer you a cup of tea and a scone your Grace?" Gideon asked, still
patting Daisy's hand at intervals on his arm.
"The
hello bee! How charming- tea! Yes, tea would be lovely. My goodness who's this?
More parishioners Andrew?"
Two
cars had swept up outside the hedge, and disgorged three ladies in sweeping
Regency dresses, plus another woman in jeans, carrying a box and clipboard.
"These
are clients of mine your Grace." Gideon said mildly. "I have an
appointment, but we'll work in the garden, we won't be in the way."
"What
lovely dresses!" The Bishop commented, delighted. "Gideon, my dear
fellow what is it that you do? I never have been quite sure."
"He's
a choreographer your Grace." Andrew said as Gideon went to greet the
approaching actresses with Daisy who was already scanning the costumes for
mistakes. "Specialising in historical forms and patterns of movement, the
BBC use him frequently."
"How
interesting!" The Bishop gave Andrew a pleading look, glancing back to the
women in the long dresses. "You know I never do get to do anything
interesting ordinarily on a Friday Andrew, would it be too much to ask to have
our tea out here and watch do you think?"
*********************************
"FRED!"
Mrs Ackwell greeted her husband, peering over the nets into the Rectory garden.
"You'll never guess what they're doing now."
"I
don't have to guess." Mr Ackwell said with dignity, taking his coat off
and hanging it up in the hallway. "Mr West is over there teaching the
Bishop how to walk properly with a parasol. He says you never know when it
might come in handy."
~The End~
Copyright Ranger 2010
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Most of the artwork on the blog is by Canadian artist Steve Walker.
What's New - July 2021
Rolf and Ranger’s Next Book will be called The Mary Ellen Carter. The Mary Ellen Carter and other works in progress can be read at either the Falls Chance Ranch Discussion Group or the Falls Chance Forum before they are posted here at the blog. So come and talk to the authors and be a part of a work in progress.
5 comments:
Absolutely delightful! I know that type of parish well.
Thank you! Delighted you enjoyed it :)
I'm with lusiology. Absolutely entertaining!!
Thank you! :)
still laughing at Andrew painting the front door hot pink!
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